Luc Besson : sustainable cinema. (1/2)
Faced with a terrible film, a resourceful viewer, and irrepressible positive thinker, mines it for hidden reasons that may give it a hint of interest.
In such a perspective, even « Les anges de l’apocalypse » is not an absolute waste of time : the film provides clues about Besson’s amazing success, if not as a scriptwriter or a filmmaker, as a business man.
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In its final moments, « Le bon dieu sans confession » unexpectedly meets « Rendez-vous de juillet », as the older generation is led off-screen and forced to make room for the newer one, on which all hopes now rely not to repeat their parents’ mistakes.

